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This selection represents, in my opinion, some
of the most important works required for an understanding of the breadth
and depth of cultural economics. I will add to them as the
opportunity presents itself.
Alder, K.,
Making Things the Same:
Representation, Tolerance and the End of the Ancien
Regime in France, Social Studies of Science, 28
(4), Aug. 1998, 499-545.
Aldrich, V. C.,
Design, Composition, and Symbol,
Journal of Aesthetics and Art
Criticism, 27 (4), Summer, 1969, 379-388.
Berleant, A.,
The Sensuous and the Sensual
in Aesthetics, Journal of Aesthetics and Art Criticism,
23 (2), Winter 1964, 185-192.
Berleant, A.,
A Note on the Problem on
Defining ‘Art’, Philosophy and Phenomenological Research,
25 (2), Dec. 1964, 239-241
Berleant, A.,
Surrogate Theories of Art,
Philosophy and Phenomenological Research, 30 (2), Dec. 1969,
163-185.
Berleant, A.,
Aesthetics and the
Contemporary Arts, Journal of Aesthetics and Art Criticism,
29 (2), Winter 1970, 155-168.
Berleant, A.,
The Verbal Presence: An
Aesthetics of Literary Performance, Journal of Aesthetics and
Art Criticism, 31 (3), Spring 1973, 339-346.
Berleant, A.,
Does Art Have a Spectator?,
Journal of Aesthetics and Art Criticism, 45 (4), Summer
1987, 411-412.
Berleant, A.,
The Persistence of Dogma in
Aesthetics,
Journal of Aesthetics and Art Criticism,
52 (2), Spring 1994, 237-239.
Borchardt, F. L.,
The Magus as Renaissance Man,
Sixteenth Century Journal, 21 (1), Spring 1990, 57-76.
cf. Science
Boulding, K. E.,
Toward the Development of
Cultural Economics, Social Science Quarterly, 53 (2),
September 1972, 267-284.
cf. Economics
Brown, B.,
The Renaissance and Historians
of Science, Studies in the Renaissance, Volume 7, 1960,
27-42. cf. Science
Card, C.R.,
The Emergence of Archetypes in
Present-Day Science And Its Significance for a Contemporary Philosophy of
Nature, Dynamical Psychology, 1996.
Dorter, K.,
The Ion: Plato’s Characterization of Art, Journal of Aesthetics and Art
Criticism, 32 (1), Autumn 1973, 65-78.
Dorter, K.,
Conceptual Truth and Aesthetic Truth, Journal of Aesthetics and Art
Criticism, 48(1), Winter 1990, 37-51.
Goethe's Theory of Colours,
John Murray, London,
1840; MIT Press, Cambridge, Mass.,1970: 1970 Introduction and 1810 Introduction
Heidegger M.,
The Age of the World Picture, W. Lovitt (trans.), The Question Concerning
Technology and Other Essays, Harper Tourchbooks, 1977, 115-154.
Henderson, J. L.,
Cultural Attitudes in Psychological Perspective, Inner City Books, Toronto,
1984, 72-78.
Hillman, J.,
Egalitarian Typologies versus
the Perception of the Unique, Spring Publications, Inc.,
Dallas, 1980.
Hillman, J.,
The Thoughts of the Heart,
Eranos Lectures 2, Spring Publications Inc., Dallas, Texas,
USA, 1981. (notes)
Himmelfarb, Gertrude,
"In Defense of the Two Cultures",
American Scholar, Autumn 1981, 451-463.
Houghton, W. B. Jr.,
The English Virtuoso in the
Seventeenth Century Part I, Journal of the History of Ideas,
3 (1), Jan. 1942, 51-73.
Houghton, W. B. Jr.,
The English Virtuoso in the
Seventeenth Century Part II, Journal of the History of Ideas,
3 (2), Apr. 1942, 190-219.
Houghton, W, B.,
Victorian Anti-Intellectualism,
Journal of the History of Ideas, 13 (3), June 1952, 291-313.
Hübner, K.,
Philosophy of Modern Art and Philosophy of Technology, Techné, 4 (1),
Fall 1998, 35-46.
Hughes, Robert,
Shock of the New: Chapter
4: Trouble in Utopia Alfred A. Knopf, NYC, 1981. (notes)
Hughes, Robert, "Art & Money",
Part 1 & Part II, New Art Examiner, October 1984, 23-27, November 1984, 33-38.
Keller, A. C.,
Zilsel, the Artisans, and the Idea
of Progress in the Renaissance, Journal of the History of Ideas,
11 (2), Apr. 1950, 235-240.
Koisumi, T.,
Traditional Japanese Religion
and the Notion of Economic Man, Journal of Cultural Economics, 1
(2), December 1977, 35-46.
Koisumi, T.,
The Ways and Means of the
Gods: An Analysis of Japanese Religion, Journal of Cultural
Economics, 3 (2), December 1979, 75-88.
Koisumi, T.,
The Oriental Ideal in Art and
the Art of Economic Man in the Orient, Journal of Cultural
Economics, 4 (1), June 1980, 55-71.
Kristeller, P.O.,
The Modern System of the Arts:
A Study in the History of Aesthetics Part I, Journal of the
History of Ideas, 12 (4), Oct., 1951, 496-527.
Kristeller, P. O.,
The Modern System of the Arts: A Study in the History of
Aesthetics Part II, Journal of the History of Ideas, 13 (1), Jan. 1952, 17-46.
McLuhan, M. and R. K. Logan,
Alphabet, Mother of Invention, Et Cetera, December
1977, 373-383.
Mann, Thomas,
Joseph and His Brothers - Prelude,
Alfred A.
Knopf, NYC, 1934.
Mann, Thomas,
Joseph the Provider - Prelude in the Upper Circles, Alfred
A. Knopf, NYC, 1944.
Nahm, M. C.,
The Theological Background of the Theory of the Artist as
Creator, Journal of the History of Ideas, 8 (3), June 1947, 363-372.
Nahm, M. C.,
Genius and Aesthetic Relation of the Arts,
Journal of Aesthetics and Art Criticism, 9 (1), Sept. 1950,
1-12.
Neumann,
Erich,
The Origins and History of Consciousness, Bollingen Series XLII, Princeton University Press,
1954.
Neumann, E.,
Creative Man: Five Essays: C. G. JUNG: 1955,
Translated from the German by Eugene Rolfe, Bollingen Series LXI-2, Princeton University Press,
Princeton, New Jersey, 1979.
Panofsky, E.,
Galileo as a Critic of the Arts: Aesthetic Attitude and
Scientific Thought, Isis, 47
(1), Mar. 1956,
3-15.
Rose, M.,
The Author as Proprietor: Donaldson v. Becket and the Genealogy of Modern
Authorship, Representations, 0 (23), Summer, 1988, 51-85.
Rose, M.,
Nine-Tenths of the Law: The English Copyright Debates and the Rhetoric of the
Public Domain, Law & Contemporary Problems, 66 Winter/Spring 2003,
75-87
Schlicht, E.,
Aestheticism in the Theory of Custom, Journal des Economistes et des
Etudes Humaines, 70(1), Mars 2000, 33-51.
Scruton, R. & Thomas Munro, T.,
AESTHETICS, Encyclopedia Britannica, CD-Rom Ultimate Reference Suite,
2003
Sedgwick, A.G., “International
Copyright by Judicial Decision”, Atlantic Monthly,
43 (256), February 1879, 217-230.
Smith, B. G.,
History and Genius: The Narcotic, Erotic, and Baroque Life
of Germaine de Staël, French
Historical Studies, 19 (4), Special Issue: Biography, Autumn
1996, 1059-1081.
Walton, S.A.,
An Introduction to the Mechanical Arts in the Middle Ages,
AVISTA, Association Villard de Honnecourt for Interdisciplinary Study of
Medieval Technology, Science and Art, University of Toronto, 2003.
Woodmansee, M.,
The Genius and the Copyright: Economic and Legal Conditions
of the Emergence of the ‘Author’, Eighteenth-Century Studies,
17 (4), Summer 1984, 425-448.
Wright, F. L.,
The Living City,
Horizon Press, NYC, 1958. (notes)
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