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THE SITE IS ARCHIVED AND MOVED TO: http://www.compilerpress.ca/WCIN/index.htm. Please click! |
Name Harry A. Hillman Chartrand, PhD Cultural Economist & Publisher, Compiler Press Lecturer, University of Saskatchewan Department of Economics, College of Arts & Sciences Bioresources Policy, Business & Economics, College of Agriculture Born January 15, 1948, Ottawa, Ontario, Canada Education BA, Hon. Economics, Carleton University, Ottawa, 1971 MA, Economics, Carleton University, Ottawa, 1974 PhD, Interdisciplinary Studies, University of Saskatchewan, 2006 Address 215 Lake Crescent, Saskatoon, Saskatchewan, Canada, S7H 3A1 E-Mail: h-chartrand@shaw.ca Tele/Fax (306) 244-6945 Web Sites Compiler Press http://members.shaw.ca/compilerpress/ Competitiveness of Nations http://members.shaw.ca/competitivenessofnations/ Compleat World Copyright Website http:/www.compilerpress.atfreeweb.com Cultural Economics - Collected Works of HHC http://www.culturaleconomics.atfreeweb.com Elemental Economics http://members.shaw.ca/elementaleconomics/ World Cultural Intelligence Network:
On graduation in 1971, I opened a consultancy - FUTURES - Socio-Economic Planning Consultants - conducting policy research in the fields of cultural economics, futures studies, intellectual property, public assistance, public finance and urban affairs. Clients included the: Canada Council Canadian Bureau of Intellectual Property Canadian Federation of Mayors & Municipalities Ottawa-Carleton Regional Review Public Service Commission of Canada Secretary of State Canada Social Sciences & Humanities Research Council of Canada Tri-level Task Force on Public Finance
From December 1981 to September 1989, I served as Research Director for the Canada Council for the arts managing a staff of nine and an annual research budget of $500,000. During my tenure, I:
i - designed and implemented an integrated
research and evaluation monitoring system tracking the Council's
administration, granting and client activities and creating the largest
cultural economics research library in the English-speaking world;
From September 1989 to June 1994, I served as Chief Economist of Kultural Econometrics International researching and evaluating Canadian, foreign and international cultural economic and higher education policies and practices. Clients included: Association for Cultural Economics Association for the Export of Canadian Books Canadian Artists' Presenters' Association Canadian Association of Artists' Managers Canadian Bureau for International Education Canadian Conference of the Arts City of Sudbury Communications Canada International Cultural Relations Bureau/External Affairs & International Trade Canada Missouri Arts Council, Multiculturalism & Citizenship Canada National Arts Centre of Canada National Endowment for the Arts - Washington Pennsylvania Arts Council Quebec Ministries of Culture and Education Standing Committee on Communication & Culture/House of Commons Canada Toronto Expo 96 Bid Corporation World Economic Forum - Geneva. In June 1994, I moved to Saskatoon establishing private practice and founding Compiler Press: Intellectual Property in the Global Village. Clients have included the: American Assembly of Columbia University California Arts Council Saskatchewan Arts Alliance Saskatchewan Cultural Exchange Society Saskatchewan Library Association Saskatchewan Municipal Government Saskatchewan Society for Education through Art Saskatoon & District Chamber of Commerce Singapore National Institute of Education In 1998, I began as a Lecturer with the Department of Economics at the University of Saskatchewan. I teach introductory and intermediate micro- and macro-economics, economic development, history of thought and served as academic adviser to the Business Economics Internship Program. In 2002 I began the interdisciplinary PhD program at the University of Saskatchewan which I completed in July 2006. My dissertation is: Ideological Evolution: The Competitiveness of Nations in a Global Knowledge-Based Economy. Between 2004 and 2006 I also served as a Lecturer in Economics at St. Thomas Moore College in Saskatoon. In 2006 I became a lecturer in contemporary issues for the University of the Arctic. In 2007 I became a Lecturer in the College of Agriculture teaching the economics of biotechnology. My teaching website is Elemental Economics. As cultural economist and publisher of Compiler Press I have completed the three volume The Compleat Multilateral Intellectual Property Series including: 1. The Compleat Multilateral Copyright & Related Agreements, Conventions, Covenants & Treaties 1886-2007, March 2007, ISBN 978-0-9689523-5-1 2. The Compleat Multilateral Patent & Related Agreements, Conventions & Treaties 1883-2008, July 2008, ISBN 978-0-9689523-7-5 3. The Compleat Multilateral Trademark & Industrial Design Agreements, Conventions & Treaties 1883-2008, August 2008. ISBN 978-0-9689523-6-8
I have also published The Compleat Canadian Copyright Act 1921-2006: Present, Past & Proposed Provisions, September 2006, ISBN 0-9689523-4-8
I am in the process of completing: The Compleat Multilateral Cultural Property & Related Agreements, Conventions & Treaties 2008 (due January-March 2009)
I have served as Vice-President of the Association for Cultural Economics and organized and hosted the 6th International Conference on Cultural Economics in Ottawa, Canada, 1989. I then chaired the 7th International in Umeä, Sweden 1990. In 1992 & 1993, I received grants from the International Cultural Relations Bureau, External Affairs & International Trade Canada to conduct two studies: International Higher Education: Tax Implications of Official Academic Relations (1993) and International Higher Education: The Peculiar Case of Canada (1992). I attended the 1992 World Economics Forum in Davos Switzerland with the financial assistance of the International Cultural Relations Bureau, External Affairs & International Trade Canada.. I was then commissioned by the Forum to prepare a planning document for a World State of the Arts Report. I served as consulting editor for the Journal of Arts Management, Law & Society (JAMLS) from 1991 to 1999. Between 2000 and 2002, I served as Executive Editor for JAMLS. In 2007, I became Associate Editor for the inaugural issue of the Journal of the World Universities Forum.
ARTICLES, BOOKS, REVIEWS, PAPERS & SPECIAL STUDIES Multilateral Intellectual & Cultural Property Rights Regime, presented to the Conference on International Economics & Economic Research, University of Saskatchewan, October 2008. The Compleat Multilateral Trademark & Industrial Design Agreements, Conventions & Treaties 1883-2008, August 2008. ISBN 978-0-9689523-6-8 The Compleat Multilateral Patent & Related Agreements, Conventions & Treaties 1883-2008, July 2008, ISBN 978-0-9689523-7-5 Software: Copyright, Patent or Something Else?, Compiler Press, April 23, 2008. Equity & Aboriginal Title, Compiler Press, January 31, 2008 “The Third Age of The University: From Interpretation to Generation to Commercialization of Knowledge”, Inaugural Journal of the World Universities Forum Vol. 1, 2008. “Knowledge & Death: Return to the Garden” in: Death And Anti-Death, Volume 5: Thirty Years After Loren Eiseley (1907-1977), ISBN 978-1-934297-02-5, edited by Charles Tandy, Ph.D., 2008. The Competitiveness of Nations in a Global Knowledge-Based Economy – Ideological Evolution, VDM Verlag Dr Muller, ISBN 978-3-8364-2804-0, 2007. Art, Science & Technology Part I, II & III, Compiler Press, August 2007. The Compleat Multilateral Copyright & Related Agreements, Conventions, Covenants & Treaties 1886-2007 ISBN 978-0-9689523-5-1, March 2007. “The Canadian Copyright Act 1921-2006: Historic, Cultural, Economics, Legal and Political Significance”, Compiler Press, September 2006. Book Review: Puu, T., Arts, Sciences & Economics, Springer, 2006, Journal of Cultural Economics. The Compleat Canadian Copyright Act 1921-2006: Present, Past & Proposed Provisions ISBN 0-9689523-4-8, September 2006. Dissertation: University of Saskatchewan - Ideological Evolution: The Competitiveness of Nations in a Global Knowledge-Based Economy, July 2006 “Knowledge & Democracy: The Political Economics of the Public Domain”, presented to the Political Studies Student Association, USASK, Nov. 14, 2005. “Enframing the World II: Design for a Philosophy of Biotechnology”, presented to Biotech & Society Seminar Series, College of Biotechnology, USASK, Oct. 25, 2005. (submitted to Techne, Journal of Philosophy & Techmology) “Enframing the World I: Design for a Philosophy of Econology”, presented to 5th Annual Economics Research Symposium, USASK, Oct. 22, 2005. “Trans-Disciplinary Induction: A Primer on Knowledge”, accepted by IPSI-2005, France/Spain Conferences, January 2005. “The Future of Genomic IPRs”, Saskatchewan Economics Journal, 4th Edition, Department of Economics, University of Saskatchewan, 2003. “Funding the Fine Arts: An International Political Economic Assessment”, Nordic Theatre Studies, Vol. 14, 2002. Compleat Multilateral Trademark and Industrial Design Agreements, Conventions & Treaties 2001 plus Annual Updates, September 2001, ISBN 0-9689523-3-X “Copyright C.P.U. - Creators, Proprietors & Users“, Journal of Arts Management, Law & Society, Vol. 30, No. 3, Fall 2000. “Towards an American Arts Industry“ in The Public Life of the Arts in America, Joni Cherbo and M. Wyszomirski (eds), Rutgers University Press, April 2000. Copyright and the New World Economic Order, Compiler Press Review #3, July 1999 http://www.intelproplaw.com/Copyright/Forum/msg/498.shtml The Compleat Multilateral Copyright and Related Agreements, Conventions, Covenants and Treaties, Compiler Press, Saskatoon, June 1999. “Art and the Public Purpose - The Economics of It All”, Journal of Arts Management, Law and Society, Vol. 28, No. 2, Summer 1998. The Compleat Canadian Copyright Act, 1921 to 1997: Current, Past and Proposed Provisions of the Act, Compiler Press, Saskatoon, October 31,1997. The Compleat Canadian Copyright Act, 1921 to 1996: Current, Past and Proposed Provisions of the Act, Compiler Press, Saskatoon, May 1997. “Rusty Nail on the Information Superhighway: User Charges and Federal Government Information“, Government Information in Canada, University of Saskatchewan, Spring/Summer 1997 http://www.usask.ca/library/gic/v3n4/chartrand/chartrand.html Myth of the Creator - Government, Corporate Copyright Owners and Creators -Diagnosis, Prognosis & A Public Policy Prescription for Market Failure, Saskatchewan Municipal Government, Regina, 1996. “Architecture & Design Arts Occupations” in Artists in the Work Force: Employment and Earnings, 1970 to 1990, Research Division Report #37, National Endowment for the Arts, Research Division, Washington, D.C., 1996.
Architecture & Design Arts Occupations
1940 to 1990, National Endowment for the Arts, Research Division, Washington, D.C.,
1996. “Intellectual Property in the Post-Modern World”, Journal of Arts Management, Law and Society, Vol. 25, No. 4, Winter 1996. “The 1995-96 Federal Cultural Budget“, Government Information in Canada, University of Saskatchewan, Winter 1995. http://www.usask.ca/library/gic/v2n3/chartrand2/chartrand2.html Counterstrike: The 1995-96 Federal Cultural Budget, Compiler Press, Saskatoon, 1995. “Intellectual Property in the Global Village“, Government Information in Canada, University of Saskatchewan, Spring 1995. http://www.usask.ca/library/gic/v1n4/chartrand/chartrand.html “A Plenary Address: The Joyful Economy: None So Blind As Those Who Will Not See!“, Forum International: Art & Culture - School & Economy, Quebec Ministries of Culture and Education in conjunction with the 28th World Congress of the International Society for Education through Art, Montreal, August 1993. The American Arts Industry: Size and Significance, National Endowment for the Arts, Research Division, Washington, D.C., 1993. (ERIC ED 410812 http://ericir.syr.edu/plweb-cgi/fastweb?searchform+ericdb- Harry Chartrand) International Higher Education: Tax Implications of Official Academic Relations, International Cultural Relations Bureau, External Affairs & International Trade Canada, Ottawa, May 1993. Editor: “On the Economics of the Performing Arts in the Soviet Union and the USA: A Comparison of Data”, by A.J. Rubinstein, W.J. Baumol, H. Baumol, Journal of Cultural Economics, Vol. 16, No.2, December 1992.
“Contribution
of Arts Education to National Income... the pattern which sells the thing“
in The Future: Challenge of Change - A New Anthology for Higher Education,
(ed.) N. Yakel, National Art Education Association of America, Reston,
Virginia, 1992. “Christianity, Copyright and Censorship in English-speaking Cultures“ in Culture and Democracy: Social and Ethical Issues in Public Support for the Arts and Humanities, A. Buchwalter (ed.), Westview, Boulder, 1992. “Christianity, Copyright and Censorship in English-speaking Cultures”, Journal of Arts Management, Law and Society, Vol. 22, No. 3, Fall 1992. International Higher Education: The Peculiar Case of Canada, International Cultural Relations Bureau, External Affairs & International Trade Canada, Ottawa, October 1992. Editor, “International Cultural Affairs Issue”, Journal of Arts Management, Law and Society, Vol. 22, No. 2, Summer 1992. “International Cultural Affairs: A Fourteen Country Survey“, Journal of Arts Management, Law and Society, Vol. 22, No. 2, Summer 1992. Book Review: Art, Culture and Enterprise: The Politics of Arts and the Cultural Industries, by Justine Lewis, Routledge, London, 1990, Journal of Arts Management, Law and Society, Vol. 22, No. 2, Summer 1992. “Crafts in an Information Economy: Towards the 21st Century” in A Treasury of Canadian Craft - Inaugural Exhibition: The Canadian Craft Museum, S. Carter, Guest Curator, Canadian Crafts Museum, Vancouver, 1992. World State of the Arts Report - A Proposal, World Economic Forum, Geneva, July 1992. “Art, Culture and Global Business: Snapshots from the World Economic Forum“, Journal of Arts Management, Law and Society, Vol. 22, No. 1, Spring 1992. A Commissioned Critique: The Ties That Bind, Standing Committee on Communications and Culture, House of Commons Canada, January 1992. “Appendix 12: International Risk Assessment” in Canada and Canadian Publishers, Association for the Export of Canadian Books, Ottawa, January1992. “Context and Continuity: Philistines, Pharisees and Art in English Culture“, Journal of Arts Management, Law and Society, Vol. 21, No. 2, Summer 1991. “Canada and the European Community: Cultural Policy Commonalties and Convergence“, Bulletin of the Canadian Conference for the Arts, Vol. 15, No.2, Summer 1991. Book Review: National Cultural Policy in Sweden: Report of a European group of experts, by John Myerscough, Libergraf, Stockholm, 1990, ISBN 91-38-12396-7, Journal of Cultural Economics, Vol. 15., No. 1, June 1991. Book Review: Government by Moonlight: the hybrid parts of the state by Patrick Birkinshaw, Ian Harden & Norman Lewis, Unwin Hyman, London, UK, 1990, 338 pages, hardcover, ISBN 0-04-445404-X, Governance: An International Journal of Policy and Administration, Spring 1991. Cultural Consumption in Canada, International Comparative Policy Group, Communications Canada, Feb. 1991. Sounding Expert Opinion Concerning the Future Performing Arts Subscription Market, National Arts Centre of Canada, Ottawa, January 1991. Book Review: Culture and Consumption: New Approaches to the Symbolic Character of Consumer Goods and Activities by Grant McCraken, Indiana University Press, Bloomington, 1988, 177 pages, hardcover, ISBN 0-253-31526-3, Journal of Arts Management and Law, Vol. 19, No.4, Winter 1990. “Creativity & Competitiveness: Art in an Information Economy“, Bulletin of the Canadian Conference for the Arts, Vol. 15, No.1, November 1990. “The Hard Facts: Perspectives of Cultural Economics“ in Transactions of the Royal Society of Canada 1989/Fifth Series/Vol. IV, University of Toronto Press, Toronto, 1990. “Investment Protection: Reducing Financial Loss from Fraudulent Art”, Journal of Cultural Economics, Vol. 14, No.1, 1990. “Arts Education and the Bottom Line in a Post-Modern Economy: Two Variations on a Theme” in Living Traditions in Art: First International Symposium, B. White, L.M. Hart (eds.), Department of Education, McGill University, 1990. Introduction: Cultural Economics 88: A Canadian Perspective, H.H. Chartrand, W. Hendon, C. McCaughey (eds.), Association for Cultural Economics, University of Akron, 1989. “Contribution of Art to National Income” in Cultural Economics 88: A Canadian Perspective, H.H. Chartrand, W. Hendon, C. McCaughey (eds.), Association for Cultural Economics, University of Akron, 1989. “Subjectivity in an Era of Scientific Imperialism: Shadows in the Age of Reason“ in University Research and the Future of Canada, B. Abu-Laban (ed.), University of Ottawa, 1989. “University Research in the Information Economy: A Clash of Cultures“ in University Research and the Future of Canada, B. Abu-Laban (ed.), University of Ottawa, 1989. “The Crafts in a Post-Modern Market“, Journal of Design History, UK, Vol. 2, Nos.2&3, 1989. “The Arms Length Principle and the Arts: An International Perspective - Past, Present and Future“, in Who's To Pay for the Arts? The International Search for Models of Arts Support, M.C. Cummings, J.M.D. Schuster (eds.), American Council for the Arts, NYC, 1989. “The Crafts in a Post-Modern Economy”, Journal of Cultural Economics, USA, Vol. 12, No.2, December 1988. “Subjectivity in an Era of Scientific Imperialism: Shadows in the Age of Reason”, Journal of Arts Management, Law and Society, Vol. 18, No. 3, Fall 1988. Private Financing of Cultural Activities in Canada: A Data Quality Assessment, A Commission from the Office of Statistics Unesco Paris, Research & Evaluation, Canada Council, Ottawa, March 1988. Editor: Paying for the Arts, H.H. Chartrand, W.S. Hendon, H. Horowitz (eds.), Association for Cultural Economics, University of Akron, 1987. “Introduction: Cultural Economics of Arts Funding - Five Variations on a Theme“ in Paying for the Arts, H.H. Chartrand, W.S. Hendon, H. Horowitz (eds.), Association for Cultural Economics, University of Akron, 1987. “Towards International Evaluation of Arts Council Funding“ in Paying for the Arts, H.H. Chartrand, W.S. Hendon, H. Horowitz (eds.), Association for Cultural Economics, University of Akron, 1987. “The Arts: Consumption Skills in the Post-Modern Economy“, Journal of Art & Design Education, UK, Vol. 6, No.1, UK, 1987.
“Introduction: The Value of Economic
Reasoning and the Arts” in Economic Impact of the Arts: A Handbook, A. J.
Radich, S. Schwock (eds.), National Conference of State Legislatures,
Washington, D.C., 1987 A Guide to Copyright Reform in Canada, 1977 to 1987, Research & Evaluation, Canada Council, Ottawa, 1987. “The Arts: Consumption Skills in the Post-Modern Economy“, Journal of Multi-cultural and Cross-cultural Research in Education, Vol. 4, No.1, USA, Fall 1986. “An Economic Impact Assessment of the Canadian Fine Arts“, in Economics of the Cultural Industries, Association for Cultural Economics, University of Akron, 1984. A Canadian Dictionary & Selected Statistical Profile of Arts Employment 1981, Research & Evaluation, Canada Council, Ottawa, January 15, 1984. An Economic Impact Assessment of the Canadian Fine Arts - A Submission to the Royal Commission on the Economic Union and Development Prospects of Canada, Research & Evaluation, Canada Council, Ottawa, December 1983. Lotteries & the Arts: The Canadian Experience 1970 to 1980, Research & Evaluation, Canada Council, Ottawa, August 1981 Social Sciences & Humanities Research Impact Indicators, Social Sciences & Humanities Research Council, Ottawa, January 1980.
Dissertation: University of Saskatchewan Ideological Evolution: The Competitiveness of Nations in a Global Knowledge-Based Economy, July 2006 Research Papers # 13 Knowledge & Democracy: The Political Economics of the Public Domain, Political Studies Student Association, USASK, Nov. 14, 2005. #12. Enframing the World II: Design for a Philosophy of Biotechnology, Biotech & Society Seminar Series, College of Biotechnology, USASK, Oct. 25, 2005. #11: Enframing the World I: Design for a Philosophy of Econology, 5th Annual Economics Research Symposium, USASK, Oct. 22, 2005. #10. Trans-Disciplinary Induction: A Primer on Knowledge, IPSI-2005, France/Spain Conferences, January 2005 #9: Tooled Knowledge: The Animation of Nature, August 2003 #8: The 'Thin' Version of the Thesis, April 2003 #7: The Future of Genomic IPRs, March 2003 #6: The Labour Theory of Knowledge & Its Corollary: The Knowledge Theory of Capital, March 2003 #5: On Methodology, February 10, 2003 #4: Thomas Kuhn's Pelican Brief, November 2002 #3: The Great Social Science Schism: Tales from the Methodological Woods, May 2002 #2: The Competitiveness of Nations: The Past Present Future, April 2002 #1: Neo Physiocracy: Biology, Economics & Epistemology, April 2002
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